Cankultur at the end of an age

The difficulty a serious Christian writer faces in this country, when speaking of the cultural revolution (or coup d’état?) that displaces the spontaneous flowering of authentic culture, is that there are no gulags or torture chambers we can point to as evidence that anything remotely like suppression afflicts us. The tragedy, the high drama of the writer’s struggle under overt totalitarianism, is in such stark contrast to the minor trials of the Western writer, that most people consider our situation benign, and our complaints grossly exaggerated. In my opinion, it is precisely our situation that may in the long run prove more deadly to the preservation of “the national heart, the national memory.”


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